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Offline dating samuel abrahams
We every a lot of honest label the rushes down to abrahama key features that would good date this story. How hot was it for you to meet Tom to be the on-camera petite for this experiment. Provided Connect came out of nowhere. I going the idea to fast immersive itself in these no, and for it to never right still.
Abrrahams a few moments I really miss, Offlinw they messed with the tone or slowed the story down, and ultimately that is the most important thing — telling a story. Another reason I Online dating sites in finland difficulty believing Offlije was documentary is because of the sound and imagery: My first job out of university was freelancing shooting observational documentaries, where you are responsible for both the abrahamms and the sound. So I took this Offline dating samuel abrahams approach.
And that audio recorded straight onto the camera. The second day I had two assistants helping out. Abraahms me, listening is the absolute key to shooting and directing a doc. If you are listening in to everything that is samel only being said, but also samuell subtext of what is going on then you can predict where datinng are Ofgline, what Ovfline reaction will abarhams and therefore what you need to do with the camera. I shot this on a Blackmagic Cinema camera. The first time I had used a camera like that. Most of the time that would never even be an option. My other shorts and all my commercials are shot on film or on the Alexa or maybe the Red. My skill set behind the camera is documentary shooting, you know, handheld with available light.
There is a lot of pressure on that job. You know, if one of them is having a bad day, missing the focus on a couple consecutive takes, everyone on set will be staring at them. How many cameras did you have on any given scene? It was just me, filming Tom. I only ever shot docs with one camera so I am used to that approach. It also is less intimidating for people. And means I have control of shooting any angle I want. That was an incredible experience. I am very proud of Connect. It was the first time I made something that really felt like it was coming from me. When you are less experienced, you tend to make work that is quite derivative, and affected. After one or two screenings I realised that no matter what the film went on to achieve, that was always going to be the thing I was most happy with.
That I felt like it was mine. The fact it got the recognition from the industry that it did, was fantastic. I felt we were very lucky, because we were the only short that was truly independent that was nominated. All the other shorts were through schemes at the BFI for example. So they already had that industry backing. People already knew about those other films. Whereas Connect came out of nowhere. How did you get into filmmaking: I had been focusing on photography at that point. But once I made one video that was it really. I have been pretty single-minded since making that video 15 years ago now. I studied Fine Art at Chelsea Art School here in London, knowing that I wanted to make films in more of an art context, rather than a film school one.
Then a producer saw my graduation film and hired me to shoot a TV doc series for him. I was terrible, but I learnt very quickly, and ended up doing a few series, then directing a couple too.
During that time Wbrahams came up sa,uel an idea to make a fake home movie with my mates, which ended Offline dating samuel abrahams getting commissioned by Channel 4. I self-shot our original pilot Documates. So I took what I learnt from that experience and set out to make a short film that really represented what kind of stories I wanted to tell and how I wanted to tell them. One night maybe six weeks ago a few of us in the house were talking about the dating scene. The only time the two of us could do was that weekend, so I hired a small low-fi kit — camera, set of primes, radio mic and boom, and spent a day or two reminding myself how to shoot. Then we spent the weekend filming and I went straight into the edit for two and a half weeks.
Just because of timings it took a week or two to finish the grade at Framestore Steffan Perry and the sound mix at Wave Jonny Platt added another week or two as we were having to squeeze it in around other jobs, and we finished the film the day I moved into my new house! Took me a week to get internet here so delayed the upload… But yes, all in all, a very quick turnaround.
Yes I wanted it datin be direct; but also Offline dating samuel abrahams it to have real Offine to it. It was important to me that Tom never came across as lascivious or smarmy, but still confident and honest. It helped of course that Tom is such a likeable guy, very gentle and genuine. Then when it came to Offfline initial approach, we felt that stating his dahing right up front samel be fun. More out of intrigue really. What would dting girl do if without any chat up whatsoever a guy asked her out? Some people were open to it and others clearly not. I was very aware of making room for Tom to pick up tips from women. Do you feel our ubiquitous connections and access to a multitude of others has left our relationships richer or poorer?
I can only speak from my experience but the idea of hyper-connectivity is certainly exciting, but in many ways it fools us into believing we are constantly surrounded, and that we are admired, but beneath that, it feels so much more isolating. Ultimately I am responsible for how I interact with screens and technology and I make sure it is only a tool and not a replacement for real communication and connection. People in real life are so much more interesting than their witty tweets and curated holiday snaps they bombarded us with. I have a bit of a messy background, studying Fine Art, then shooting documentaries, and now directing drama and commercials.
What I will say is that I tried to bring a lot of these different disciplines, or rather, ways of thinking, to the project. The reality is effected. What I hope is that, regardless of whether you think it is all real, or all staged, it is telling a truth.