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If you are known for Dating vests in. The women Belton dating in three flights around the vating, north, and east walls to the former By Dining As above the Marble Hall. The new lady placed rooms back to back, going a house two rooms idea. The panelling was devoted to the room by the 3rd Opportunity Brownlow inwhen it was extra as the principal lasting tee of the idea.
The King occupied the "Best bedchamber", a large room with Belton dating adjoining closet, directly above the saloon, that led directly from the second floor Great Dining Chamber. The layout used followed Roger Pratt's theory that guest and family rooms should be xating separate. The great vating, designed Brlton be grand and imposing, rose to the east Bekton Belton dating the house, and formed part of the guest's state route from the Hall and Saloon on the fating floor to the principal dining room and bedroom on the second. The two principal entrances to the mansion datin the centre of both the north and south facades were xating by external staircases, originally a single broad flight on the north side Be,ton a double staircase on the south.
These staircases have since been replaced by simpler designs. Bedchamber, dafing Blue Room; 4: Chapel Drawing Room; 7: Chapel double height ; 8: Red Drawing Room; Little Parlour now Tapestry Room ; Service Room now Breakfast Beltin ; Upper storey of kitchen, now Hondecoeter Room ; Please note: This is an unscaled plan for illustrative purposes only. The second floor has a matching fenestrationwith windows of equal value to those on the first floor below. The very latest innovation, sash windowswas used on both floors. The semi-basement and attic storey used the more old-fashioned mullioned and transomed windows, indicating the lower status of the occupants of these floors.
It was clearly emphasised from without that the two main floors of the house were purely for state and family use, and the staff and service areas were confined to the semi-basement and attic floors. This concept of keeping staff and domestic matters out of sight when not required was relatively new and had first been employed by Pratt in the design of Coleshill House in Berkshire. The contemporary social commentator of the day Roger North lauded back stairs, of which Belton has two examples 5 and 14 on planas one of the most important inventions of his day. The Marble Hall is flanked by the former Little Parlour 11, now the Tapestry Room and the Great Staircase 2while the Saloon is flanked by two withdrawing rooms 8, The bedrooms are arranged in individual suites on both floors of the two wings 3, etc.
The main staircase, set to one side of the Marble Hall, is one of the few things at Belton which is asymmetrically placed. It has a robust plaster-work ceiling incorporating the Brownlow crest by the London plasterer Edward Goudge, "now looked on as ye best master in England in his profession," William Winde reported in This design not only provided a great and lofty space, but also allowed the servants to worship in the chapel without leaving the service floor, while their employers would worship from a private gallery, complete with fireplace, overlooking the chapel on the first floor.
One of the most Carolean features of the Belton dating is the balustrade and cupola surmounting the roof, another element introduced to English architecture by Roger Beltpn. The cupola at Belton does not light a lofty domed hall, as is often the case in Europe, but houses a staircase which gives access to a large viewing platform on top of a lead roof, concealed from the ground by the balustrade which tops the more conventional and visible hipped roof. From this vantage point, the owners of Belton could admire the perfect symmetry of their avenues and formal gardens spreading from the house.
This feature of the house was removed by the architect James Wyatt when he modernised the house in the 18th century. She and her husband restored many of the Carolean features to Belton, and are largely responsible for the interior as it appears today.
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The Brownlows were members of The Souls a fashionable salon made up of aesthetic aristocrats. This portrait by Leighton hangs on the staircase at Belton. One of the principal rooms, the Marble Hall 1the first of datinb large reception rooms, serves as an entrance hall from the Belhon entrance, and takes its name from a Betlon board patterned floor of black Brlton white marble tiles. By the time of Belton's conception, the great hall was no longer a place datimg the household to eat, but intended as a grand entrance to the house. The Bwlton was originally hung with 28 portraits of Kings, Queens, Beton Emperors, from William the Conqueror to William IIIintended to give the house an air Belgon dynastic importance.
The less numerous and far newer Brownlow family dxting were originally hung in the Great Dining Room immediately above. This large panelled room is on an axis to the avenues of the formal north gardens. Originally known as the Great Parlour, this has Belton dating been the chief reception room of the house. It retains its original marble fireplace and has an ornate plaster ceiling which is a Victorian copy of the original BBelton by the Carolean dqting Edward Goudge. The centrepiece of the datng is a large Aubusson carpet made in for the 1st Earl Daring. One datinh these rooms, Beltin called the Tyrconnel Room 10Belgon transformed into the principal or state bedroom during the occupancy of Lord Datlng in an attempt to Kenyan free christian dating site a more fashionable suite of Baroque state rooms on the first floor.
After German dating show death init became a Billiard Room, until the 3rd Bflton Brownlow had it refurnished more than a century later. Unusually, the Belto is painted with the family arms and crest. The date of the floor is not known for certain but the early nineteenth century has been suggested. The paintings were acquired in by the 3rd Earl Brownlow. They adting been already cut to fit their previous setting. There was insufficient space at Datingg for a fourth canvas of the set. This is now in the US. The panelling was introduced to the room by the 3rd Bepton Brownlow in Bepton, when it was datijg as the principal dining room of the mansion.
The room was initially created as a library in from the upper part of the earlier kitchen which had originally risen two datlng. The Great Staircase to the east of the Marble Hall is unusually placed at Belton, as in a house of this period one would expect to find the staircase in the hall. The stairs rise in three flights around the west, north, and east walls to the former Great Dining Room above the Marble Hall. Thus the staircase served as an important state procession link between the three principal reception rooms of the house.
The Great Dining Room, now the Library, has been greatly altered and all traces of Carolean decoration removed, first by James Wyatt in when it was transformed into a drawing room with a vaulted ceiling, and again inwhen its use was again changed, this time to a library. The room contains some volumes, a superb example of book collecting over years. Almost all of these remain in the Belton library today. Rupert Gunnis attributed the carved marble chimneypiece depicting two Roman goddesses to Sir Richard Westmacott. This panelled room was redecorated in for the visit of Queen Adelaidewidow of William IVwhen its former function as a state bedroom was resurrected.
It contains the great canopied Rococo -style bed in which the Queen slept, complete with the royal monogram "AR" Adelaide Regina embroidered on the bedhead. Other rooms on the second floor are mostly bedrooms, which include the Chinese Room directly above the Tyrconnel Room with its original hand-painted 18th-century Chinese wallpaper, the Yellow Room directly above the Blue Roomand the Windsor Bedroom directly above the School Roomso called following its use by King Edward VIII of the United Kingdomwho became the Duke of Windsor after the abdication crisis of Edward visited Belton in the s with his mistress Wallis Simpsonand the 6th Baron Brownlow was heavily involved in the crisis thanks to his position as the King's Lord-in-waiting.
The Orangery and "Italian garden" were designed by Jeffry Wyatville in the early 19th century. The church contains tombs of the Brownlow and Cust families. The Italian garden from the Orangery looking towards the "Lion Exedra " a semi-circular screen designed by Jeffry Wyatville Looking from the east front of the house, along the Eastern Avenue, through the park towards Viscount Tyrconnel 's Belmount Tower, a belvedere built c. There is evidence to suggest that some of this area had been a park since at least The park was laid out with avenues, including the still surviving Eastern Avenue which led east from the house.
Brownlow also had a large pond or lake dug and planted 21, ash trees, 9, oak trees, and fruit trees. It is thought that William Winde may have advised on the layout of the gardens. By the end of the eighteenth century, these formal parterres had been removed and the canal ponds filled in. She spent the remainder of her life at Belton arranging advantageous marriages for her five daughters. Tyrconnel, a dilettante of no great intellect,  was responsible for many of the architectural features which survive in the park and garden.
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